Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. My 21mm CP.2 is probably my favourite lens that I own, lovely, lovely piece of glass. Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. Besides Leica Rs, also give Nikkors (obviously), Canon FDs, and Minolta Rokkors a good look. There are DOZENS of lenses to choose from, that cover all focal lengths from 15mm to 500mm. Contax Zeiss 60mm f/2.8 Macro AEG: Infinity focus on the left, minimum focus on the right. Page of 320. There are MMG lenses out there I was weary of that for quite a while, since its not mentioned clearly anywhere. So do you still wonder if Contax lenses are worth looking into? Because the wides are slow, you will almost certainly need to compliment your kit with a Tokina/Duclos 11-16 2.8. You can also tell their place of manufacture based on whats written on the lens! Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. Landmine Media, LLC. I am thinking of selling the lenses we tested together. Remember me Log in Forgot password or user name? You can see, Ryan de Franco called my bluff recently, and he let me sit in on his informal test looking into how similar Contax in FACT areto Standards and Super Speeds. I own (or have owned) an AE 25 2.8, 28 f2, 28 2.8, 35 1.4, 45 2.8, 50 1.4, 50 1.7, 60 2.8, 85 1.4, 85 2.8, 135 f2, 135 2.8, and 200 3.5and ALL OF THEM have the Ninja-Star. Im selling all the gears I made for my set on eBay, I made a tutorial on how to make focus gears, the same formula for the 21mm f/2.8 ZF/ZE primes, I was warned by my followers on Instagram about the edge the AE had over the MM, he can provide caps with stickers already on them, see here, by Moritz Schierenbeck on VLFVs facebook group. We've been putting it through its paces. Are usually 3.5 and F4. They dilate quite a bit and fit much more easily. Pm for pics. Contax Zeiss Survival Guide - REDUSER.net The planar 35mm F/1.4, 50mm T1.4 and 85mm F/1.4, are among some of them. Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. They focus the right way, have an aperture ring, and the focus rotation on many lenses reaches 180 degrees. Another trick is to heat them up with a blow dryer or even your house heater. For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! Take or leave it. So far I had been using adapters on them, and they sucked. In my experience, the gears never fit on the first try. I returned to the guide and started eBay hunting. Lucky for me my 50 and 85/1.4 were already MMJ. All times are GMT-8. Some folks consider several of the Zeiss Contax Yashica lenses to be very similar to the real Super Speed. The main difference being that a normal . Just to be clear (think you left that part out, haha). Then Nick Morrison went on and on and on about the 35-70. The Soviets were good enough for my own projects, but I needed something more reliable on this one. Im a big fan of these lenses and have been building my own set for the last few years, but Im nowhere close to creating a buyers guide, so Im very happy that a good friend of VLFV, Tito Ferradans has written the amazing guide below, which doesnt just introduce and explain various aspects of ContaxZeisslenses but will also show you how to tune them up for video use! You can skip ahead and read that HERE. For that reason I had to make a super tall focus gear that would not slip off when travelling from infinity to minimum focus. My copy has some fungus in it and other copies might be better. This will ensure a constant outside diameter, which means you dont have to adjust your follow focus every time you change lenses. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. Yes, it's one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. I started using these lenses casually. The 85 is ridiculously fast with combo. For those not wanting to go the 'pro' Cine-Mod route, you can do it yourself with decent results. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. This is a guide for people that love handling gear and tweaking little things here and there. Wake the fuck up. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. The first one is AE and the second one is MM. The price-performance ratio of the Minolta lenses is the best in the camera world. MM's from 1984 to 2005. So this reasoning is pretty bullet proof. They cover full frame, are super easy to adapt to many other mounts and never lose their value. Zeiss AE lens information brochure, "The Finest Optics by Zeiss", They are much more closer to a Super/Standard speed look then the modern zeiss glass including the Cp2s. This turns the original C/Y mount into a solid EF mount that wont budge for nothing. Anyone who says a lens made in Germany is better than the same lens made in Japan is full of shit. That's where my obsession started. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. First I measured the slip-on caps I got from SIMMOD and created a Photoshop template with that size. On digital, these things are a home run, like Standards and Super Speeds. All times are GMT-8. Im still weighing if I need it or not. When the AE's flare, they generally flare white, evenly, and when overwhelmed by a direct source, can reveal a touch of green ghosting. It was, perhaps, the first standard zoom of truly decent quality throughout its range. Back to the story. Fuck!). Heres a very interesting article that summarizes tech papers published on these designs and their differences, pros and cons. But at F2 and 2.8you def notice it if you have a very busy frame with lots of bokeh. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. Both look awesome, and I think people are splitting hairs. As they were designed for photography, they have clicked stops, which has to be dealt with, but they all feature non-rotating front elements, which is a very valuable feature these days with vari NDs. I started with the 28mm. VLFV family also gets 10% off any order you make with this companies, just add a promo code VLFV (SimmodLens) or VINTAGE (FollowFocusGears.com) on checkout. The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. Stay current with regular CineD updates about news, reviews, how-tos and more. Lastly, now that we have a great Contax guide on VLFV, my plan is to concentrate on individual Contax Zeiss reviews, so look out for those in near future. The Standards were w/out a doubt the sharpest wide open. I took this question to Instagram again and got really good arguments for both sides. I havent tested these much yet, and I ended up not doing standard outside diameters. At this point the price argument was adding a lot of weight. If thats your deal, then you will love Leica Rs. I shipped all of them to SIMMOD for declicking and a quick checkup. You can also tell their place of manufacture based on whats written on the lens! So far, I had no previous love for Contax and a little bit of prejudice against Zeiss for making lenses too clean. I repeated the technique for the rear caps, this time with only the focal length written on them. Unfortunately, it predates the Distagon 28/2.8. Note: My hunch on the latitude/low con deal is as follows. Heres the answer to all of this, broken down. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. (I read the Contax Survival Guide, thank you Nick . Contax / Zeiss 100mm f3.5 Sonnar c/y need info | FujiX-Forum This page was generated at 05:50 PM. My custom made front caps with focal length, f-stop and minimum focus distance. My MM 18 f4, 21 2.8, 35 2.8, 50 1.4, 50 1.7, 85 1.4, 135 2.8, 180 2.8, and 300 F4 are all W/OUT the Ninja-star. The last thing I did was add step rings to normalize all their fronts at 58mm, to make my life easier when swapping NDs and other filters or anamorphic adapters in my case. The Soviets were good enough for my own projects, but I needed something more reliable on this one. The Zeiss ZF is phenomenally sharp and modern, which I found good for general and macro photography but I found unpleasant of for portraiture. ZF/ZEs only go as far as 135mm. The downside of such magnification is that the focus ring travels a lot, pretty much doubling the physical length of the lens. Yupthey go as far 500mm. With less glass comes more consistency. Also because Soviet glass was super cheap. Its awesome Western Zeiss glass. Filter. to use on my Komodo. i want contax set for ef mount how can i buy? In this buying guide we've rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. It's definitely not lens breathing. These have even less elements (5?). However, the optical quality of the Contaxs is certainly very close to ZF/ZEs and many of the designs appear to have only subtly changed over the years, in particular the 21 2.8, 34 1.4, 50 1.4, and 85 1.4. Next came the 60mm f/2.8 Macro. To check if I did it, just follow me on Instagram as I post all my lens experiments there! The Contax 25mm 2.8 is good, but you may want to consider the 28mm 2.8 which is cheaper, and "technically" better. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. And. Oh and I believe that where the results are for "Real Aperture" in those tests may actually be the measured T-Stop? Contax Zeiss should be on your radar for a couple of reasons. Not saying the 135/2 isnt worth it the investment, its just much heavier and harder to carry as a walk-around lens. Copyright 2007-2022. Happy Memorial day all. The more opinions you have, the less you see. We've been taking a look at what it offers and what it's like to shoot with. ----------------------------------------------------------, Oh, just to add I was watching the BBC drama 'Ripper Street' last night when I noticed a couple of shots with fairly extreme ninja star bokeh No technical information on IMDB as to what it was shot on/with sadly but you never knwo.

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contax zeiss survival guide

contax zeiss survival guide

contax zeiss survival guide