power 106 djs from the 90s

together, but I do remember that they were both there for a moment.) Y94 being very promotionally active showing up at Qs events/remotes etc.. On air battle with free money Contests-each station literally monitoring when the other would be in a stop set, and 93Q running liners talking about Y94 being in commercials but 93Q playing music That was fun! Before then, he had participated in the International Dance Music Awards and won the DJ of the Year awards for the years 1994 and 1995. Very easy to browse! You may already have an idea what your song is about. He refers to this new style of music as "Euro" and began to showcase his new tracks in the weekly mix of his Radio 1 Show. [9][10], During an on-air interview on KPWR on November 3, 2015, singer/actress Ariana Grande criticized DJs Eric D-lux and Justin Credible over questions that she claimed were sexist, telling them, "You need a little brushing up on equality."[11]. With a demo track, you have a track to sing along with when you record your vocals in the studio. Paul Mark Oakenfold was born in August 1963 and is an English trance DJ. * WGH vs. WNVZ (Z104) Norfolk, Va., in the late 80s Somehow included John Mellencamps grandma singing on one of the promos meant to characterize the rest of the market as too old. Sacto 80;s battle?????? Phlliy-POWER 99 vs Q102 mid 90s The market had the AC format WVAF, V-100 and WKLC FM 105 Rock station. (Not a bad thing.) Bone Thugs-N-Harmony was hot act on Power 106 & 92.3 The Beat during 1995-96. The battle raged for almost two years before my team and I flipped KPOP to AOR KRXQ. I lived in Miami at the time but as a radio geek followed every minute of it. The mixing engineer will apply autotune, special effects and all the industry-secret formulas to make your song sound like a major hit. * WMMR v. WYSP Philly, 1978-79, when Jeff Pollack brought MMR back (The Rock and Roll Animal) vs. YSPs Superstars; KPLZ (as K-PLUS, now Star 101.5) From 1986 to the early 1990s (when I went to school in Rochester), it was my favorite station. KGB AND KCBQ Ill never forget that Spring 82 book: 4.2 to 10.0!! An engineers strike at RKO was overcome by the NOW crowd. But if you want the best mix with ten songs in a row, lock it in and rip the knob off 99.5 The Fox. WCZY was usually the highest-rated of the three 12+ but that was largely due to Purtan, and it was WHYT and WJLB that dominated the 12-24 numbers. Please dont forget the great A/C battles going on during the 80s. Many battles happened that shaped many programmers including me. WSIX vs. WSM-FM (1991 96) The stations were locked into the top 2 spots, each with double-digit shares for 17 consecutive books. Wow! WDRQ usurped them first under PD Brian White and MD Lisa Orlando, then WJLB, which had been on FM for a few years, finally got itself together under new GM Verna Green and PD James Alexander and urged listeners to tune up from 93.1 to 97.9. Passion and love for radio in the 80s! You had ABX, RIF, Wheels, W4 and a few others jumped in. Another fantastic sale. [25], On April 15, 2019, J. Cruz, co-host DJ Lechero and Jeff "The Sports Dude" Garcia exited KPWR, with J. Cruz joining KRRL as their new afternoon host. Up until 2017, KPWR had also slightly increased the number of throwbacks/recurrents in its playlist, but has since refocused towards current product to reduce overlap with classic hip hop outlet KDAY. Another great Urban radio war was the 4 way Urban battle in Charleston back in the early 90s! POWER 106? | Los Angeles - Yelp This page was last edited on 2 April 2023, at 14:27. doja cat)SZA 8:32 ambrown bag morningsPOWER 106 8:30 amlate at nightRODDY RICCH 8:25 ambrown bag morningsPOWER 106 Concert Calendar No events are currently scheduled. * KZZP, KKFR (Power 92) and KOY-FM (Y95) Phoenix from the same time; The "Nothern Exposure 2" was also produced on 'Ministry of Sound' in 1997 before releasing separate mix albums in 1998. WMJQ.? Spring 88 WQFM 4.2WLZR 5.8 So, when Frankie came back to re-take the crown, it only seemed natural to my young ears. Richard Humpty Vission - Power 106 10th Anniversary Megamix - 80s/90s The new KFMK was an unusual mix of CHR and Urban AC. * KKBT (the Beat) Los Angeles vs. KPWR (Power 106) in the early 90s; His awards as a DJ include the Best Techno DJ award in 1999. The melody is the tune or pitch of your lyrics when you sing. Click to reveal Check out 15 Best 90s Alternative Songs in History to learn more about this topic. Everyone should have a ride like that just once! Thomas left in 1992 when The Baka Boyz took over the morning slot. The albums were "At The End Of TheCliche," released in 1996, and "Phuture 2000," released in 1999. All my old head-to-head competitors share the same love for those rating races, and the excitement and the reward in beating a strong competitor. My personal fave is the AOR battle in San Francisco in 1982 when we signed on KFOG to become the fourth rock station in the market with KMEL, KRQR, and KQAK already established ahead of us. John Long, PD at WHBQ during this battle, has written an excellent account of this moment in time. Looking back at Power 106 over a 20 year course THAT was a huge 4-way war: THE BATTLE IN SEATTLE 1984-1988 or so: Grooveriderwas bornRaymond Bingham in April 1967. Hey! KPWR is owned and operated by Meruelo Groupand airs a Rhythmic Hot ACformat. And if I dont say so myself, GCI vs V103 (once we got 106 Jamz, Joyner and Banks) was a pretty good one that knocked GCI forever out of double The mother of them all is WYSP/WMMR in Philly. Thanks again. With the unique combination of both KPWR and KZLA, the move gave Emmis and Los Angeles its first rhythmic duopoly, as well as the second duopoly in California with this arrangement, the other being Clear Channel Communications siblings KMEL and KYLD in San Francisco. He played House and Garage sets but began to headline in trance parties. KPWR broadcasts in HD Radio with two subchannels: KPWR launched a Spanish-language HD2 subcarrier channel called "Power Dos" in August 2006. Might have just been a function of my own listening habits in my 20s, but the 80s also werent a great time for Rock radio in general. There was also a rivalry between WHYT and Z95.5 in about 1984-87 before 99.5 (the former WABX) became The Fox. Their 1996 hit song Crossroads held the spot No. The Super 102 CHR format started immediately capturing the listeners of both stations, in 1983 brought in a great Morning Zoo modeled after Z-100 in NYC and the station kicked butt, made money and it was a true example of everyone working together to take the station to #1 in the market after a couple years as we only had one book a year! PDs concentrated on just one station, not a group. In 1993, he released the album "Universe of Love." So here are ten great format battles some well-known, many less so. Have to add in the Top 40 battle in Dallas between 84-87. 2) WRQX (Q107) vs. WPGC Washington, D.C., between winter 80 and 81 Q107 had debuted a year earlier, but finally caught fire in 1980 as a Rock 40 outlet under Alan Burns. Mario C. Glendale, CA . 72,000 watts of music Power!KPWR Los Angeles! This move brought the R&B/hip hop format back to that frequency for the first time since iHeartMedia's predecessor Clear Channel sold "The Beat" R&B/hip hop format and intellectual property to Radio One, who then moved it to the 100.3 FM signal in 2000. "Pizzamania" was produced with the help of his friends Tim Jeffery and JC Reid. SBS announced that KXOL would move to another transmitter site a month later, and both parties settled the dispute sometime after. I put CHR 98PXY on the air in Summer of 82. Who remembers Power 96 in the late 80s/90s? (Miami, South Miami: middle It was the fall of 1989 into winter of 1990. But I always thought nearby CKOC Hamilton was even hotter. Oakenfold's first work in the 1990s was a music collaboration with Terry Farley, Osborne, and Andrew Weatherall to create two remixes for Happy Mondays. The Baka Boyz were originally DJs in Bakersfield, California, before moving south to Los Angeles. Then in 1981, Q107 segued to AOR for a year and WPGC went AC and suddenly D.C. had no Top 40 station. During the 80s some name brand programmers came thru town, including Jay Stevens, Charlie Lake, Cat Collins who was my MD, and JJ Rice who was my intern, later graduating to weekend syndication board op! "Here Comes The Sunburst Band" was released in 1998, while "Can't Get High Without U" was released in 1999. Thanks for the stroll. For a few years, both stations sounded like a throwback to Motor City CHR of 15 years earlier (not surprisingly since former CKLW PD Bill Hennes was involved), each fighting to get the new novelty/reaction record on first. I guess u can say the battle between those two stations continues 25+ years later, although of course in a much more subdued version. Decades later, world-renowned DJs continue to create seamless and extended mixes that are out of this world. "Tribal Jedi," released in 1996, and "Dr. Funk," which was released in 1999 and was produced by Edel UK Records in conjunction with Worldwide Ultimatum Records. Some of the more competitive country battles that come to mind for me include, and the time period they were most evenly matched: The Power 106 Mix (December 29th, 2005) - DJ AM Lives Especially having my memory jogged on how many of those battles I was fortunate enuf to be part of the teams. Sean, This was due to competition received from urban contemporary rival "Real 92.3", which reignited the market's hip-hop radio war from the 1990s when the station was in competition with 92.3 The Beat. I wonder why hes a CC big-wig nowadays! Mr. Hood on Instagram: "Mis 3 samples favoritos utilizados por RZA And now its time for you to pick your battles. But his sound, like Honey's, has never been more in vogue and a new collaboration called . Great column! I can help you enter the music industry. Compared to 1999, the average music consumer was under 30 and spent $28 a year. His discography includes several singles produced between 1993 and 1998. In 1981 I-95 signed on under Keith Isley and went head to head with Bill Tanners Y-100 ( I was there from 1981-1986) great radiogreat programmers and a real battle. Lin put Q92 on in Summer 83. Most of the songs played on Movin' 93.9 consisted of rhythmic pop and dance hits from the 1980s and 1990s to the present day, along with classic disco and freestyle music tracks thrown in for balance. My Boo by Ghost Town DJ's & C'mom & Ride It(The Train) Quad City DJs also got a lot of airplay on Power 106 & 92.3 The Beat also in 1995-96. The sale reunited KPWR with the 93.9 frequency under common ownership for the first time since 2012. BTW, I was doing afternoons at WYLD during the battle with WQUE. In1991, Grooverider made his mark alongside Fabio while playing House at Mendoza's in Brixton. They also developed Power's live mixing " World Famous Roll Call ". emerging the victor in the end. I put 98PXY on the air in Summer 82. However, by early 2016, KPWR has drastically reduced the amount of rhythmic pop and EDM tracks in its playlist to focus primarily on hip hop and R&B again. Dj EZ (pronounced 'DJ EEE ZED') is one of the earliest proponents of garage music. (The Beat would later flip to urban AC in 2006.) Man I love this stuff.way to start a great debate Sean [16] This would become a major issue in the music trades after the station ascended to the top spot in the Los Angeles Arbitron ratings, where both Billboard and Radio & Records had debated as to what reporting panel it would place KPWR (as well as other stations that were using the same formula), which in turn resulted in Billboard launching a Crossover chart and Radio & Records creating a CHR P1A subcategory in 1987. Fun but brutal. The staff at the time represented the multi-cultural population of Los Angeles: Krystal Bee (Latino), DJ E Man (Filipino), and Todd the Hater (Armenian) of #TheCruzShow.

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